[oberlist] EE* cfp: Art History and Socialism(s) 1940s-1960s (Tallinn, 28-29 Oct 16)

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Mon Jan 18 00:11:43 CET 2016



---------------------------- Original Message ----------------------------
Subject: SPECTRE Digest, Vol 155, Issue 7
From:    spectre-request at mikrolisten.de
Date:    Mon, January 11, 2016 1:00 pm
To:      spectre at mikrolisten.de
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Message: 1
Date: Mon, 11 Jan 2016 09:55:02 +0100
From: Andreas Broeckmann <ab at mikro.in-berlin.de>
Subject: [spectre] (fwd) CFP: Art History and Socialism(s) 1940s-1960s
	(Tallinn, 28-29 Oct 16))


From: Kristina Jõekalda <kristina.joekalda at artun.ee>
Date: Jan 11, 2016
Subject: CFP: Art History and Socialism(s) 1940s-1960s (Tallinn, 28-29
Oct 16))

Tallinn, October 28 - 29, 2016
Deadline: Feb 25, 2016

Art History and Socialism(s) after World War II: The 1940s until the 1960s

Location: Institute of Art History, Estonian Academy of Arts, Tallinn
Hosting institution: Estonian Academy of Arts

Although the Soviet and Eastern European socialist regimes of the latter
20th century seem to lie in the distant past now, research on them still
has many uncovered areas. This applies not least to the role of
“socialist” art historians, their activities and functions in
universities, exhibitions and the mass media, and especially their
academic text production. Deriving from a complicated socio-cultural set
of relations, the common denominator for which was “socialism”, these
art historical “acts” shaped the general comprehensions of art, culture
and history in the society at large. With the overall historiographical
turn in the humanities, scholars from the Baltic to the Balkan region
have begun to re-address the various histories of artworks,
architecture, artistic styles and whole epochs that these practices
constructed. Conferences on this recent art historical past have been
held and scholarly publications issued, including in English, today’s
lingua franca, but the vast majority of research remains only in native
languages, thus circulating mainly at the local level.

Our call for papers originates from the conviction that researchers of
socialist art history need a common platform, to introduce and compare
art historical practices across the former Soviet Union and the
socialist countries of Europe. Paraphrasing the late Piotr Piotrowski,
the time is ripe for the project of a “horizontal” reading of socialist
art history. As with different “socialisms”, “socialist art
history” as
an umbrella term covers a variety of ways of writing the history of art
and architecture. Moscow’s influence varied greatly depending on the
decade, region and particular situation. In addition to ideological
pressure and terror, other factors – of which neighbours might not have
been or still might not be aware – affected the art historical ideas and
practices of different Soviet republics and the satellite states in
Eastern and Central Europe. The making of art history and its visual
displays by means of exhibitions (as well as contemporary artistic
practices) also depended on the international art history discourse,
even though the range and accessibility of literature etc. varied from
country to country.

The conference addresses these topics primarily via the
historiographical and theoretical levels:
- Moscow’s role in developing the theoretical grounds of the
Marxist-Leninist art history discourse (one centre?, unity of
theoretical approaches?)
- implementing this discourse in the Soviet Union, in its new member
republics and in the new “socialist countries” (national socialist
schools of art history?)
- interpreting art historical concepts and periodisation; shifts
occurring over time; comparison with the Western art history discourse(s);
- the complicated relationship with Modernism during the Stalinist era;
its later inclusion in the Marxist-Leninist discourse of art history.

Please submit your title and abstract of approx. 400 words in RTF, DOC
or DOCX format. The proposal should include your affiliation, a brief
biography (approx. 150 words) and contact details. The deadline is 25
February 2016, and the submission should be addressed to Kristina
Jõekalda, kristina.joekalda at artun.ee.

Participants will be notified in April 2016. We will probably be able to
reimburse the accommodation and travel costs for speakers. Participation
in the conference is free of charge. The conference language is English.

ORGANISATION
The post-World War II socialism and related art historical discourse had
many faces: too many for a single conference. Therefore we have launched
a series of conferences, the first of which will be held in Tallinn in
October 2016, focussing on the decades immediately following the war. In
2017 and 2018 follow-up conferences will be held in Leipzig and Berlin.

The 2016 two-day conference will be hosted by the Institute of Art
History at the Estonian Academy of Arts in Tallinn, in cooperation with
the Centre for the History and Culture of East Central Europe
(Geisteswissenschaftliches Zentrum Geschichte und Kultur
Ostmitteleuropas – GWZO) in Leipzig, and the Chair of Art History of
Eastern and East Central Europe at Humboldt University of Berlin.

Advisory board and organisation:
Prof. Krista Kodres, PhD, Estonian Academy of Arts
Marina Dmitrieva, PhD, GWZO Leipzig Prof. Michaela Marek, PhD, Humboldt
University of Berlin Antje Kempe, M.A., Humboldt University of Berlin
Kristina Jõekalda, M.A., Estonian Academy of Arts


Reference / Quellennachweis:
CFP: Art History and Socialism(s) 1940s–1960s (Tallinn, 28-29 Oct 16)).
In: H-ArtHist, Jan 11, 2016. <http://arthist.net/archive/11931>.

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End of SPECTRE Digest, Vol 155, Issue 7
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