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---------------------------- Original Message ----------------------------
Subject: SPECTRE Digest, Vol 56, Issue 30
From:    spectre-request la mikrolisten.de
Date:    Tue, October 23, 2007 14:36
To:      spectre la mikrolisten.de
--------------------------------------------------------------------------

Message: 5
Date: Tue, 16 Oct 2007 16:35:44 +0200
From: " Milo? VOJT?CHOVSK? " <milos.vojtechovsky la famu.cz>
Subject: [spectre] open archives


Open Archives. Media Art Presentation and Digital Archives
Prague October 29th - November 4th 2007

Intermedia Institute, Faculty of Electrical Engineering of Czech Technical
University in Prague (CVUT), room H24/2, Technicka 2, 16627, Prague 6
http://www.iim.cz

opening hours: 12 - 7 PM

The Open Archives project is focused on exhibiting and archiving
initiatives mapping, re-storing and interpreting contemporary and modern
art, experimental film and video, media art and industrial heritage. It is
addressed to art, humanities and technical schools* students as well as to
the wide public.

The project hopes to trigger discussion concerning technical and
methodological issues related to the archiving and distribution and aims
to stimulate additional research in this field in the Czech Republic.
Recently, various DVD anthologies have been published rediscovering
various fields of culture and making so far unknown chapters from art
history accessible to the public, as well as online audiovisual archives
that are useful for the research and presentation. Furthermore, such
archives can serve as a platform for students, teachers, curators, artists
and historians to cooperate in further endeavors.

Screening program, located in the new Lab of the Intermedia Institute, is
enriched with daily program of lectures, presentations and discussions of
various Czech and international digital archives. The IIM
interdisciplinary institute follows the theoretical and practical research
in the field of emerging technologies, visual and sound art, history and
theory of moving and still image and digital culture. Public is welcome to
attend the lectures of several internationally recognized artists and
theoreticians and presentations of institutions engaged in the collecting
and archiving of analog and digital materials.

For example, Woody Vasulka, an eminent international video art pioneer, is
presenting his electronic arts archive project (vasulka.org) he has been
developing with his wife and collaborator Steina since the 1960s. Vasulka,
together with media artist Thomas Thiel, present the recent exhibition
project MindFrames, created in collaboration with Zentrum fuer Kunst und
Media in Karlsruhe. Other initiatives and institutes planning to present
are as follows: Czech - VVP AVU; Research Centre for Industrial Heritage
(CVUT), shared cooperative platform Konvergence -, as well as
international - Hyperkino (FAMU, Prague, NIIK, Moscow) WRO Art Center from
Wroclaw; project Grauzone 8mm (Ludwig Boltzmann Institut Linz); projects
40yearsvideoart, Art_clips.ch.at.de (ZKM, Karlsruhe), or CASPAR (Cultural,
Artistic and Scientific knowledge for Preservation, Access and Retrieval)
and GAMA (Gateway to Archives of Media Art).

PROGRAM of SCREENINGS
Every day 12 - 5 PM projections of experimental film and video,
documentaries and interviews by *Buffalo circle* on 2 screens, always at 3
PM commentary to individual artists

CAVE - projection of the work by Steina and Woody Vasulka on three screens

LECTURES (29. 10. - 2. 11., always 5 - 7 PM)
Lectures and presentations of Czech and international digital archives
Live on-line streaming of the lectures by radio Lemurie at
rtsp://stream.node9.org/live.sdp

29. 10.
12 - 5 PM SCREENINGS Woody Vasulka
5 PM Opening session
6 - 8 PM Vasulka Archives presentation; MindFrames exhibition project
presentation (ZKM), Lector: Woody Vasulka http://www.vasulka.org
konvergence, Memory of Art archive, Lectors: Michal Klodner, Lenka
Dolanova, FAMU, http://konvergence.info

30. 10.
12 - 5 PM SCREENINGS Steina
5 PM Hyperkino project, Lector: Natascha Drubek-Meyer, FAMU,
http://hyperkino.net

VVP, AVU, Lectors: Eva Krátká, Pavlína Morganová, Terezie Nekvindová,
http://vvp.avu.cz

Research Centre for Industrial Heritage, Lector: Petr Vorlík,
http://wcpd.cvut.cz

31. 10.
12 - 5 PM SCREENINGS Paul Sharits
5 PM From Monument to Market: Video Art and Public Space, WRO Art Center,
Lector: Krzysztof Dobrowolski, http://www.wrocenter.pl
OASIS / AMA&NT projects and its follower GAMA; CASPAR project: multimedia
archives interconnecting and the questions of long-term storage of digital
data. Lectors: Viliam ©imko, Michal Má¹a, CIANT, http://www.ciant.cz,
http://www.casparpreserves.eu, http://www.oasis-archive.info

1. 11.
12 - 5 PM SCREENINGS Hollis Frampton
5 PM Grauzone 8 mm. Materialen zum autonomen Künstlerfilm in der DDR,
Ludwig Boltzmann Institut. Medien. Kunst. Forschung. Linz. Lector: Britt
Schlehahn, http://media.lbg.ac.at

2. 11.
12 - 5 PM SCREENINGS James Blue
5 PM
40 yearsvideoart.de: Digital Heritage
Art_clips.ch.at.de
Lector: Thomas Thiel, ZKM, www.zkm.de
MindFrames exhibition project
Lectors: Woody Vasulka, Thomas Thiel

3. 11.
12 - 5 PM SCREENINGS Tony Conrad

4. 11.
12 - 5 PM SCREENINGS Peter Weibel

PRESENTED PROJECTS
MindFrames
Woody Bohuslav Vasulka has been a long advocate of collecting and
digitizing art works and media projects with an allied circle of artists
and creators. He has also advocated the free distribution of these
materials through digital archives which would become the platform for
cooperation among an international team of researchers. He initiated the
exhibition MindFrames in ZKM centre in Karlsruhe, with co-curator Peter
Weibel, led by artist and programmer Thomas Thiel. At the end of 2006, the
exhibition presented a unique exhibition model that enables new ways of
studying, presenting and archiving media art. It presented the work of
artists and theoreticians who worked at the Department of Media Study at
the State University of New York in Buffalo (founded by Gerald O*Grady in
1973). The *Buffalo group* concentrated on researching the variable
concept of art and medium, and contributed to the key shift from film art
towards a more general understanding and the usage of visual
 code. Artistic creations were thus interconnected with teamwork and
scientific and/or philosophical research.  The artists involved in this
project, dealing primarily with the problem of perception and the
specificity of the electromagnetic medium, were actively involved in
community projects and were looking for alternative forms of education.
The material (120 hours of film and video) was distributed from the
databases on the central server. The MindFrames exhibition is the result
of long-term archiving efforts of The Vasulkas.
Lectors: Woody Vasulka, Thomas Thiel, ZKM

Konvergence
is a shared platform for extensive internet projects, interuniversity and
outside university communication and cooperation. It consists in the
implementation of free software into complex system for content
management. The operator of the technology is Film and TV School of the
Academy of Performing Arts in Prague (FAMU). The system contains block
functionality, single projects consist of components which are in joint
developed within the framework of the whole platform. It contains the
users* profiles with blogs, personal information territory, annotation
system for text and video, functions for cooperation, project management,
and various searching tools. Free modifiability of content categories
(metadata structure) as well as presentational design is suitable for
emerging projects.
The platform hosts e.g. konvergence.info portal, offering tools for
cooperation in interdisciplinary environment of new media art and
intermedia, communication infrastructure and an emergent archive Memory of
Art which should become a test field for online cooperation among
international curator group, focused on experimental film and video art.
Lektors: Michal Klodner, Lenka Dolanova, FAMU

Hyperkino
is a method for academic (critical) film editions on DVD. It is a system
of annotation for film comparable to footnotes in scientific text, using
various media forms like text, pictures, sound.
Lector: Natascha Drubek-Meyer

VVP AVU
is a center for basic scientific research, the processing of source
documentation, critical evaluation and reinterpretation of Czech art
history after 1945. With its specific orientation of research with an
emphasis on interdisciplinary crossover, VVP AVU is an import center for
the study of visual culture of the second half of the 20th century in all
its complexity.
The aim of VVP AVU is not only to contribute to developing knowledge of
local development of fine art history, but also to place it in a wider,
international context.
VVP AVU is the first research center of its kind in the Czech Republic
established within the framework of an art college.
Lectors: Eva Kratka, Pavlína Morganová, Terezie Nekvindová

Research Centre for Industrial Heritage
of the Czech Republic functions as a coordinating platform for cooperation
between the Czech Technical University in Prague and other institutions
that are working in the fields of history, architecture, urban affairs,
technological development, technical criteria in civil engineering, and
the economic and ecological aspects of research, conservation, and seeking
new uses for technical monuments and industrial buildings and sites.

A long-term project of the Research Centre for Industrial Heritage (VCPD)
at ÈVUT and the Institute of the History of Art and Architecture at the
Faculty of Architecture at ÈVUT in Prague has been to develop a register
of industrial heritage buildings and sites. It is also used for the
purpose of recording, storing and working with data drawn from
publications, specialized studies, *building passports*, and other
databases.
The interdisciplinary focus of the long-term projects of the VCPD requires
the involvement of a wide range of professionals from other fields and the
participation of other cooperating parties, such as amateur enthusiasts,
industrial heritage advocates, and especially students. For these
collaborating researchers, who often have little or no previous practical
experience with research on construction history, the register is a
fundamental and essential methodological guideline.
Lector: Petr Vorlík

WRO Art Center - From Monument to Market: Video Art and Public Space (ed.
Violetta Kutlubasis-Krajewska and Piotr Krajewski, Poland 2005)
The collection of the video works by Polish artists on 2 DVD*s is
supplemented with a series of articles inspired by this collection and
written specially for this publication by international curators and
critics.
WRO Art Centre, founded as an independent formation in 1988, is the first
in Poland and one of the most important organizations in Central-East
Europe dealing with new media art in its broad sense, taking up issues of
contemporary art in the perspective of culture and communication.
Beginning in fall 2007, WRO Art Center opens its new gallery, performance
and lab spaces, featuring regular presentations of contemporary art
intertwined with the development of communication tools and process. Since
1989 WRO organizes the International Media Art Biennale, the 12th edition
of which took place in May 2007.
Lector: Krzysztof Dobrowolski


GAMA /Gateway to Archives of Media Art/
This project continues the OASIS projects, originally a joint venture
between CIANT and the *Bremen" project. The aim is to establish a central
platform that enables multilingual user-oriented access to a significant
number of media art archives and their digitalized contents. The
consortium comprises of a majority of the most important digital content
holders for media art in Europe. The content provided constitutes approx.
55% of all media artworks presented online by European cultural archives
and distributors. This amount will ensure a significant increase in use,
re-use and cross-border visibility of the digital content when aggregated
and accessible through one common interface. The gateway will quickly
develop to be the European central online interface and search portal for
any person interested in media art.
Lector: Viliam Simko

CASPAR
Digital information innervates modern civilization. Yet digital
information is extremely vulnerable. A huge amount of precious digital
information created and stored all over the world becomes inaccessible
every few years at a very fast pace. Think of losing official records, a
museum archive, irreplaceable scientific data, or even a collection of
family photos, and we realize digital preservation is affecting us all.
CASPAR is an Integrated Project co-financed by the European Union that
will address the issue of how digitally encoded information can still be
understood and used in the future when the software, systems and everyday
knowledge will have changed.
Lector: Michal Masa

Grauzone 8mm. Materialen zum autonomen Künstlerfilm in der DDR
Ludwig Boltzmann Institut. Medien. Kunst. Forschung. Linz
DVD Grauzone 8 mm documents the development of video, experimental film
and TV in the 1980s in DDR.
The mission of the Ludwig Boltzmann Institute Media.Art.Research is to
give scholarly attention to works of media art and media theory through
their archiving and publication. Bringing together science, art,
technology and cultural mediation in a single facility enables the
achievement of a new level of quality that speaks to the ways in which we
deal with our media-shaped society.
Lector: Britt Schlehahn

40yearsvideoart.de: Digital Heritage
The initiative of the German Federal Cultural Foundation focuses on
saving, maintaining, and mediating the cultural heritage of Video Art,
which has become one of the most influential art forms of the twentieth
century. For the first time, such a complex, mediating and exhibiting
project is carried out by five museums in the Federal Republic of Germany:
ZKM Center for Art and Media Karlsruhe and the K21 Kunstsammlung
Nordrhein-Westfalen Düsseldorf, the institutions responsible for the
overall project, work together with three partners - Kunsthalle Bremen,
Lenbachhaus Munich, and the Museum der bildenen Künste Leipzig. The video
anthology presents 59 artists and 12 DVD, counting in total 28 hours.

Art_clips.ch.at.de
90 short videos from Switzerland, Austria and Germany. The DVD Edition
produced by ZKM Karlsruhe maps the development of short videos in
Switzerland, Austria and Germany from 2000 to 2006 (curator Gerhard Johann
Lischka; project directors: Thomas Thiel and Antonia Marten).
Lector: Thomas Thiel, ZKM

Realization team: Curator: Lenka Dolanová and Woody Vasulka, cooperation:
Michal Klodner, Milos Vojtechovsky, Roman Berka, Krystof Pesek, Martin
Blazícek

The project was realized by Intermedia Institute, with the support of Film
and TV School of the Academy of Performing Arts in Prague, AMU
Principality, Faculty of Electrical Engineering of Czech Technical
University in Prague, Czech Science Foundation (GACR), Goethe-Institut

Cooperating institutions: Academy of Fine Arts in Prague, Goethe Institut
Prag, Center for Art and Media Karlsruhe, Ludwig Boltzmann Institut Linz,
WRO Center, CIANT, The International Documentary Film Festival Jihlava,
Research Centre for Industrial Heritage

Intermedia Institute
Address: Faculty of Electrical Engineering of Czech Technical University
in Prague (ÈVUT), room H24/2, Technická 2, 16627, Prague 6, Czech Republic
Tel.: +420 608571881
info la iim.cz
http://www.iim.cz


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End of SPECTRE Digest, Vol 56, Issue 30
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