[Oberlist] CA* cfp/conf/perf: Performance Studies International Conference

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---------------------------- Original Message ----------------------------
Subject: CULTSTUD-L Digest, Vol 69, Issue 11
From:    cultstud-l-request la lists.comm.umn.edu
Date:    Sun, October 11, 2009 20:00
To:      cultstud-l la lists.comm.umn.edu
--------------------------------------------------------------------------

Message: 1
Date: Sat, 10 Oct 2009 20:59:23 -0400
From: levin <levin la yorku.ca>
Subject: [cultstud-l] CFP - Performance Studies International Conference,
Toronto


Apologies for cross-posting.  Please forward to anyone you think might
be interested. Thanks!

Best,
Laura Levin
---
Assistant Professor
Department of Theatre
York University, Toronto

--

Call for Proposals

Annual Conference of Performance Studies international
PSi 16 Performing Publics
Toronto, 9-13 June 2010
PSi 16, Performing Publics, will take place in Toronto as part of a
collaboration between York University’s Faculty of Fine Arts and the
Ontario College of Art & Design. The conference will investigate the
power of performance to intervene in, reshape, and reinvigorate the
public sphere at the beginning of the twenty-first century. We invite
proposals that take up notions of “public” in a variety of ways,
pointing to the critically generative and fraught aspects of the term
as it has been adopted within performance studies.

The conference will theorize the relationship between performance,
“official” public culture (public culture framed and sanctioned by
state and/or corporate institutions), and the production of what
Michael Warner calls “counter-publics” (social formations developed in
opposition to the discourses and interests of the official public
sphere). As such, it will explore the coming together of individuals
as a social totality – as a community, nation, organization, etc. –
and the enactment of public as a form of social activism, as a means
of rehearsing, querying, and producing alternative forms of local and
global citizenship. In both contexts, performance has the potential to
frame affective and critically nuanced responses to public events,
issues and crises and thus to model politically and ethically engaged
forms of public life. The conference also seeks to problematize the
idea of “publics” as it has been applied to performance by exploring
the limitations of this term and the kinds of social exclusions that
it often has been used to rationalize.

Guiding questions will include: How are we hailed by various publics,
and how does this shape our behaviors and social interactions? How are
publics spatially and temporally constituted? In what ways do publics
participate in forms of activism, civic engagement, and “poetic world-
making” (Warner)? What affects and effects are produced by such
utopian interventions? Our discussion of these issues will reflect the
vibrant history of urban intervention and “public spacing” movements
in Toronto in which artists and activists have worked together to
change the shape of our shared local and civic spaces.

Proposals might address (but are not limited to):

    - publics and counter-publics

    - issues of public space

    - performance and civic engagement

    - performance as an act of public witness

    - performance and public relations

    - the audience (live or virtual) as public

    - public events: rallies, protests, flash mobs, etc.

    - the relationship between the public and the private

    - the role of gender, sexuality, race, and class in performing
publics

    - public feelings and affects

    - performative utopias and utopian performatives

    - site-specific performance and urban intervention


The conference will be staged during Toronto’s annual Luminato
Festival, and will provide several opportunities for participants to
experience and reflect on its dynamic arts programming. Luminato is a
multidisciplinary festival that celebrates music, dance, theatre,
film, literature, and the visual arts, and showcases the work of
local, national, and international artists.  As part of its mandate to
offer “accidental encounters with art,” Luminato is committed to
presenting a variety of free events in public spaces. These public art
projects run concurrently with exciting performance premieres at
venues throughout the city.
Paper proposals (Due November 15):

Proposals for individual papers should include a 250-word abstract.
Conference papers are normally allotted 20 minutes. Traditional and
performative papers are welcome.

Panel proposals (Due November 15):

Panel proposals and proposals for other discursive formats (roundtable
discussions, position papers, etc.) should include a 250-word
abstract, along with the names, paper titles (if applicable) and
affiliations of participants. Panels are normally allotted 1.5-2
hours. Proposals that interweave traditional and performative papers
are welcome.

Shift proposals (Due November 1):

Continuing the explorations of PSi 15, we invite proposals for
“shifts”: innovative session formats that push the boundaries of the
well-constructed panel. These may include workshops, performances, and
interactive events. We welcome shifts that engage with “Performing
Publics”—e.g., site-specific projects that activate public space, the
urban landscape, or the immediate environs of the conference site.
Proposals should include a 250-word abstract. Please note that shifts
and panels will receive the same basic level of AV support, and there
will be a limited number of places for shifts at PSi 16.

All proposals should be submitted online by filling out the PSi 16
“Proposal Form” at: http://psi16.com/cfp/submissions/

Questions about the conference can be directed to: info la psi16.com


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