[oberlist] Dear Money book launch / Friday, 19 December, 18.00 / Carturesti Verona

Salonul de proiecte salonuldeproiecte at gmail.com
Tue Dec 16 20:50:59 CET 2014


Salonul de proiecte invites you on Friday, 19 December, 18.00, at Carturesti Verona book shop, at the launch of the book Dear Money. The Dear Money project was inspired by a work of artist Marina Albu and consists of forty contributions submitted by artists with whom the curatorial programme Salonul de proiecte had worked until 2013. The works tackle the relationship between art and money from various angles, through the perspective of some of the most relevant Romanian artists working today. The project also provides the opportunity to look back on Salonul de proiecte’s activity, a program that functions within The National Museum of Contemporary Art, Bucharest. The theoretical texts by Bogdan Ghiu, Michael Baers and Suzana Milevska re-dimension these contributions to a certain extent, projecting them onto the backdrop of complex, current, urgent debates concerning the global crisis of the capitalist system. The project presentation texts are written by Diana Ursan.

Artistic projects by:

Marina Albu, Apparatus 22, Matei Bejenaru, Anca Benera & Arnold Estefan, Alex Bodea, Mihuț Boșcu Kafchin, Răzvan Botiș, Tudor Bratu, Geta Brătescu, The Bureau of Melodramatic Research, Anetta Mona Chișa & Lucia Tkáčová, Andreea Ciobîcă, Coate-Goale, Irina Costache & Simina Guga, Cristina David, Paul Dunca, Tatiana Fiodorova, Bogdan Gîrbovan, Ion Grigorescu, Mihai Iepure-Górski, Cătălin Ilie, Daniel Knorr, Mihaela Michailov, Aurelia Mihai, Olivia Mihălțianu, Mixer, Monotremu, Ciprian Mureșan, Daniela Pălimariu, Delia Popa, Raluca Popa, Ghenadie Popescu, Veda Popovici, Anca Munteanu Rimnic, Flaviu Rogojan, Cristian Rusu, Ștefan Sava, Soyons Impossibles, Ștefan Tiron, Iulia Toma

Text contributors:

Michael Baers is an American artist and writer based in Berlin. His work has appeared in the context of the 10^th Sharjah Biennial, the 6^th Momentum Biennial, and Manifesta 08, and he has appeared in group shows at the Van Abbemuseum and Künstlerhaus Graz, among others. He has contributed comics and essays to many publications such as Chto Delat, Modern Painters, A Prior, and the e-flux journal, as well as to enumerable print initiatives. In May 2014 he published his first graphic novel, An Oral History of Picasso in Palestine, based on oral history research on Khaled Hourani's Picasso-in-Palestine project as part of the third Berlin Documentary Forum at Haus der Kulturen der Welt. It is available as a download at http://salonuldeproiecte.us7.list-manage.com/track/click?u=fb845600907f7cfa878a97215&id=880e3f295d&e=25d374b539

Bogdan Ghiu is one of the best known Romanian poets of the “80’s Generation”, essayist, cultural critic and theorist (literature, philosophy, media, art, urbanology, traductology) and french theory translator. Former student of Jacques Derrida, he is the author of some twenty books, among which (The Cardboard Poem) Traces of Destruction on Mars, 2006, I, the Artist. Life after Survival. Bar Code for Art’s Monstrous Future, 2008, Telepithecapitalisme. Media Middle Ages 2005-2009, 2009, The Counter-Crisis, Dadasein and In-construction. For an ethic arhitecture, 2011, The Production Line. Working with Art, 2014.

Suzana Milevska is a theorist and curator of visual art and culture from Macedonia. Currently she teaches at the Academy of Fine Arts in Vienna as the first Endowed Professor for Central and South European Art Histories. Her theoretical and curatorial interests include postcolonial critique of hegemonic power regimes of representation, feminist art and gender theory, participatory and collaborative art practices. Milevska published the books Gender Difference in the Balkans, Saarbrucken: VDM Verlag, 2010, and The Renaming Machine: The Book that summarised her interdisciplinary project Renaming Machine (2008-2010). In 2012 she won the Igor Zabel Award for Culture and Theory.

Diana Ursan writes mostly about contemporary art. She studied at the Art History and Theory Department at the National University of Arts in Bucharest, where she is currently a PhD candidate, working on a research based on art market alternatives, applied to the local artistic scene. She lives and works in Bucharest.

Design: Radu Manelici (Faber Studio)

A project published by: Salonul de proiecte Association, The National Museum of Contemporary Art, Bucharest. Editorial project published with the support of The Administration of The National Cultural Fund.

Salonul de proiecte is a curatorial program of the National Museum of Contemporary Art Bucharest, initiated by Magda Radu and Alexandra Croitoru. The program focuses through exhibitions, presentations, and debates on the Romanian contemporary art, while positioning young artists’ productions into a broader generational context, local as well as international.

Team: Magda Radu, Alexandra Croitoru, Ștefan Sava and Dana Andrei

Salonul de proiecte
MNAC Anexa Building, 2nd floor
Calea Mosilor 62-68, Bucharest, Romania
Wednesday – Sunday / 10.00-18.00
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